Sunday, June 8, 2008
A Tense Encounter in Vilnius
I was sitting outside a cafe on Pilies gatve, crawling through a Russian novel, when a middle aged couple––sharp-faced blond woman, muffin-headed man––approached me. Assuming they were beggars, I shook my head and went back to my book. When they kept at it I told them I didn't understand. I wish I'd said it in English, because when she realized I understood Russian she happily reformatted her Lithuanian tirade to our common language.
She claimed I'd taken a picture of them and demanded to know why. She wouldn't say when or where, and I didn't recognize her, so I assumed it was some sort of scam. But she was adamant and the muffin-headed man kept egging her on. Not wanting to take my eyes off them, and feeling sufficiently intruded upon, I refused to show them my camera. Instead I unleashed every weapon in my Russian-language arsenal, a verbal fusillade of expressions from the chapter on confrontations (thank you Middlebury Russian School!) which, at this point in my Russian career, is probably as scary as an amphibious assault by the girlscouts. I'm sure they trembled when I took a moment to look up the word for 'misunderstanding' (I'll never forget that one).
The longer we argued, the more I felt their scam tightening around me (they threatened to call the police!). When the woman walked around the table to search for my camera I went inside to complain. I quickly scanned through my recent photos to make certain I was right.
I wasn't. Shit. The great irony was that I'd taken her photo by accident to cover myself after surreptitiously photographing a table across the street where two rich-looking thirtyish men with slicked-back hair cockily smoking cigars with four pretty girls, a scene right out of Wall Street. I tried my best to take a candid shot; I should have known better: the same psychological principle by which you hear your name uttered in a crowded place, or somehow know if you're being looked applies to cameras. That's why the golden rule in public photography is ask before you shoot. When I snapped the shot the the beefier of the two men looked right at me. I panicked and tried to make it look like I was shooting a panorama. I turned to my right and snapped a scene of the neighboring cafe. That's the one the woman appeared in.
I went outside to apologize to the couple and delete the photo in their presence but they were gone. I sat down, tried to get back into my book, but my mind wandered. Who were those guys? Why were they so nuts about this photo? Were they going to pursue me?
I decided I'd tried to smooth things over with the couple if I ran into them on my way back to the hostel, but when we spotted each other going in opposite directions, I decided they were crazy and it was better to flee. Something about my constitutional rights against search and seizure also ran through my head (completely irrelevant, I know), as did something about not rewarding the belligerent way in which they had confronted me. So rather than bury the hatchet, we stared each other down. Twice I looked over my shoulder to make sure they weren't following me. Both times she was looking back at me.
I deleted the damned photo. If I see them again, I'll just apologize. Suppose they're real creeps? Best not to take any chances.
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2 comments:
Reason #298 it's handy to have a traveling companion: you can pretend to take a picture of them and snag your intended target with less suspicion.
Haha.... great story, Jonathan. As I got to the part when you returned outside and the couple had already left, the question that ran through my mind was: will he still delete the photo? I am glad that the answer turned out in the affirmative.
Btw, have you considered that the reason they were so paranoid about your having taken a photo, is because they really are, in fact, criminals, and fear you're some American journalist on a mission to expose them? Would fit splendidly with the gangster theme introduced with the biznismen. Far-fetched, perhaps, for some other city, but in Vilnius...
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